'[Hugh Miller's] literary style was out of date: in 1834 he alluded to "my having kept company with the older English writers - the Addisons, Popes and Robertsons of the last century at a time when I had no opportunity of becoming acquainted with the authors of the present time". Growing up in Cromarty, Miller had access to the substantial personal libraries of a carpenter and a retired clerk, as well as his father (sixty volumes), his uncles (150 volumes) and a cabinet-maker poet (upwards of 100 volumes). These collections offered a broad selection of English essayists and poets - of the Queen Anne period.'
Century: 1800-1849 Reader/Listener/Group: Hugh Miller Print: Book
My father's large bookcase was stuffed with odd volumes of the Gentleman's Magazine and other miscellaneous matters. Anacharsis' 'travels in Greece', Robertson's 'America', Goldsmith's 'History of England', Adams' 'Rome', Wesley's sermons and Fletcher's controversial volumes. All these had been read by me, either for my own amusement, or aloud to my father, whose sight had been lost for years.
Century: 1800-1849 Reader/Listener/Group: Anne Lutton Print: Book
?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book on my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?
Century: 1800-1849 Reader/Listener/Group: Samuel Bamford Print: Book
'I have really been so occupied with the sorrows of Mary Queen of Scots you must excuse my not have written before. I had always read the other side except in Hume, & was surpised at the conviction Robertson seems to carry in every line of her guilt. His must be a very immoral book for in spight [sic] of that one always feels so very much interested for her.'
Century: 1800-1849 Reader/Listener/Group: Lady Caroline Lamb Print: Book
'Much of it [ie. 'the daily instruction I received'] consisted in the books I read by myself, and my father's discourses to me, chiefly during our walks. From 1810 to the end of 1813 we were living in Newington Green, then an almost rustic neighbourhood. My father's health required considerable and constant exercise, and he walked habitually before breakfast, generally in the green lanes towards Hornsey. In these walks I always accompanied him, and with my earliest recollections of green fields and wild flowers, is mingled that of the account I gave him daily of what I had read the day before. To the best of my remembrance, this was a voluntary rather than a prescribed exercise. I made notes on slips of paper while reading, and from these, in the morning walks, I told the story to him; for the books were chiefly histories, of which I read in this manner a great number: Robertson's histories, Hume, Gibbon; but my greatest delight, then and for long afterwards, was [Robert] Watson's Philip the Second and Third. The heroic defence of the Knights of Malta against the Turks, and of the revolted provinces of the Netherlands against Spain, excited in me an intense and lasting interest. Next to Watson, my favourite historical reading was Hooke's History of Rome. Of Greece I had seen at that time no regular history, except school abridgments and the last two or three volumes of a translation of Rollin's Ancient History, beginning with Philip of Macedon. But I read with great delight Langhorne's translation of Plutarch. In English history, beyond the time at which Hume leaves off, I remember reading Burnett's History of his Own Time, though I cared little for anything in it except the wars and battles; and the historical part of the Annual Register, from the beginning to about 1788, where the volumes my father borrowed for me from Mr Bentham left off. In these frequent talks about the books I read, he used, as opportunity offered, to give me explanations and ideas respecting civilization, government, morality, mental cultivation, which he required me afterwards to restate to him in my own words.'
Century: 1800-1849 Reader/Listener/Group: John Stuart Mill Print: Book
Elizabeth Missing Sewell on her reading at home in the Isle of Wight, after leaving her Bath boarding school in 1830:
'I used to study by myself, for I knew that I was woefully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr. Turnbull [...] I taught myself besides to read Spanish -- for having found a Spanish "Don Quixote" lying about, which no one claimed, I took possession of it, bought a grammar and dictionary, and set to work to master the contents of
the books which I knew so well by name. The elements of botany on the Linnean system was another of my attempted acquirements, but I am afraid my studies were very superficial: I knew nothing perfectly, but I read everything that came in my way. There was an excellent town library in Newport, from which I could get any good modern works; and, beside the graver literature, I had always some lighter book on hand, and especially delighted in Walter Scott's novels and poetry. Byron, too was a great favourite.'
Century: 1800-1849 Reader/Listener/Group: Elizabeth Sewell Print: Book
'The Day was beautifull and I enjoyed the sweetness of the weather in riding walking and sitting out in the fields with a book - "Charles Grandisson" I am but at the second volume much amuses me I have begun to read also in English Robertsons history of America and Blairs lectures on Rhetoric and belles lettres - We have bought these books at Basle where they are well printed and cheap'.
Century: 1700-1799 Reader/Listener/Group: Elizabeth (Betsey) Wynne Print: Book
'Rain again and rain forever. I read a great deal of Robertson's "History of Scotland". I cannot forgive Elizabeth's behaviour and though Mary's is very shameful yet I cannot help feeling a sort of partiality for her, a partiality which is a tribute that I pay to her endless misfortunes and which prompts me to think that if Elizabeth had sought protection in Mary's arms she would have found a sure azylum and a hasty succour there. Robertson in giving Mary's character, perfectly expressed what you must feel in reading her history. "You throw a veil over her frailties and faults, and approve of your tears as if they were shed for an object who drew much nearer to protection".'
Century: 1700-1799 Reader/Listener/Group: Eugenia Wynne Print: Book
'Finished Robertson's "History of Scotland"...'
Century: 1700-1799 Reader/Listener/Group: Thomas Green Print: Book
'Finished Robertson's "History of Scotland"....'
Century: 1700-1799 Reader/Listener/Group: Thomas Green Print: Book
'Finished the first three Books of Robertson's "America"...'
Century: 1700-1799 Reader/Listener/Group: Thomas Green Print: Book
[Mary Shelley's Reading List for 1815. Only those titles not mentioned in journal entries are given separate database entries. xs denote books also read by Percy Shelley]
'Posthumous Works. 3.
Sorrows of Werter
Don Roderick - by Southey
Gibbons Decline & fall.
x Paradise Regained
x Gibbons Life and Letters - 1st edition 2
x Lara
New Arabian Nights 3
Corinna
Fall of the Jesuits
Rinaldo Rinaldini
Fo[n]tenelle's Plurality of the Worlds
Hermsprong
Le diable boiteux
Man as he is.
Rokeby.
Ovid's Meamo[r]phoses in Latin
x Wordsworth's Poems
x Spenser's Fairy Queen
x Life of the Philipps
x Fox's History of James II
The Reflector
Wieland.
Fleetwood
Don Carlos
x Peter Wilkins
Rousseau's Confessions.
x Espriella's Letters from England
Lenora - a poem
Emile
x Milton's Paradise Lost
X Life of Lady Hamilton
De l'Alemagne - by Made de Stael
3 vols. of Barruel
x Caliph Vathek
Nouvelle Heloise
x Kotzebue's account of his banishment to Siberia.
Waverly
Clarissa Harlowe
Robertson's Hist. of america
x Virgil
xTale of Tub.
x Milton's speech on Unlicensed printing
x Curse of Kehama
x Madoc
La Bible Expliquee
Lives of Abelard and Heloise
The New Testament
Coleridge's Poems.
1st vol. Syteme de la Nature
x Castle of Indolence
Chattertons Poems.
x Paradise Regained
Don Carlos.
x Lycidas.
x St Leon
Shakespeare's Play. Part of which Shelley reads aloud
Burkes account of civil society
x Excursion
Pope's Homer's Illiad
x Sallust
Micromegas
x Life of Chauser
Canterbury Tales
Peruvian letters.
Voyages round the World
Pluarch's lives.
x 2 vols of Gibbon
Ormond
Hugh Trevor
x Labaume's Hist. of the Russian War
Lewis's tales
Castle of Udolpho
Guy Mannering
Charles XII by Voltaire
Tales of the East'
Century: 1800-1849 Reader/Listener/Group: Mary Godwin
'Sunday [...] Dec. 4th. [...] After dinner [attended by several guests] [...] Mr. Sommer came
in in [...] his usual wild hurried manner [...] consented to play a Sonata of Beethoven's [...]
Then after inveighing against everything in Moscow, pavement, lights, houses & the women he
caught up his hat and departed. to our great relief. They played at the Cat & the Mouse and I
read Robertson.'
[also mentions reading Robertson earlier in same entry, and in entries for 6, 8, 10, 12, 13, 14,
15,16, 23, 25, 27 December 1825; and 2, 10, 11 January 1826].
Century: 1800-1849 Reader/Listener/Group: Claire Clairmont Print: Book
'S. reads the history of Charles 5th by Robertson'
Century: 1800-1849 Reader/Listener/Group: Percy Bysshe Shelley Print: Book
'I used to study by myself, for I knew that I was wofully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr Turnbull'.
Century: 1800-1849 Reader/Listener/Group: Elizabeth Missing Sewell Print: Book
'You talk of reading "a very old book": Boswell's Tour to the Hebrides. Why that's a [underlined] chickn [sic, underlined] compared to my present reading. I am reduced to a perusal of my own little library, and am solacing myself with Plutarch's Lives, and Robertson's History of Charles V. and vary my sport occasionally with an Historical Play of Shakespear, or a good Sunday Book.'
Century: 1800-1849 Reader/Listener/Group: Sarah Harriet Burney Print: Book
'I return your Italian volumes, my dear friend, with many thanks, owning honestly, that I have never looked into them; for the thread of my interest in Botta's History having been interrupted by my leaving Florence, I could not for the life of me connect it again; and I got hold of other books - read no Italian for ages - and, at last, pounced one fine day upon a good, clear edition of Ariosto, and have been and am reading him with even more delight than when he first fell into my hands. Here and there, he is a bad boy, and as the book is my own, & I do not like indecency, I cut out whole pages that annoy me, & burn them before the Author's face, which stands at the beginning of the first volume, and I hope feels properly ashamed. Next to Ariosto, by way of something new, I treat myself now and then with a play of one Wm Shakespear, and I am reading Robertson's Charles Vth which comes in well after that part of Botta's History at which I left off - viz: just about the time of the council of Trent. And, as I love modern reading, I was glad to find myself possessed of a very tidy edition of a Biographical work you may perhaps have heard tell of - Plutarch's Lives. If you should ever meet with it, I think I might venture to say you would not dislike it'.
Century: 1800-1849 Reader/Listener/Group: Sarah Harriet Burney Print: Book
'For the last ten days I have been getting on again in good style. I have finished Charles and am in the second volume of the History of America. At this rate I calculate on getting through with all the books which you recommend to me in about twenty years.'
Century: 1800-1849 Reader/Listener/Group: Jane Baillie Welsh Print: Book
'When I talked of our [the Scots'] advancement in literature, "Sir, (said he,) you have learnt a little from us, and you think yourselves very great men. Hume would never have written History, had not Voltaire written it before him. He is an echo of Voltaire." Boswell "But, Sir, we have Lord Kames." Johnson. "You [italics] have [italics] Lord Кames. Keep him; ha, ha, ha! We don't envy you him. Do you ever see Dr. Robertson?" Boswell. "Yes, Sir." Johnson. "Does the dog talk of me ?" Boswell. "Indeed, Sir, he does, and loves you." Thinking that I now had him in a corner, and being solicitous for the literary fame of my country, I pressed him for his opinion on the merit of Dr. Robertson's "History of Scotland". But, to my surprise, he escaped.—" Sir, I love Robertson, and I won't talk of his book".
It is but justice both to him and Dr. Robertson to add, that though he indulged himself in this sally of wit, he had too good taste not to be fully sensible of the merits of that admirable work.'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: James Boswell Print: Book
'I this evening boasted, that although I did not write what is called stenography, or short-hand, in appropriated characters devised for the purpose, I had a method of my own of writing half words, and leaving out some altogether so as yet to keep the substance and language of any discourse which I had heard so much in view, that I could give it very completely soon after I had taken it down. He defied me, as he had once defied an actual short-hand writer, and he made the experiment by reading slowly and distinctly a part of Robertson's "History of America", while I endeavoured to write it in my way of taking notes. It was found that I had it very imperfectly; the conclusion from which was, that its excellence was principally owing to a studied arrangement of words, which could not be varied or abridged without an essential injury.'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
