'Janet Schaw and her cousin, sailing from Scotland to the Caribbean, try to keep calm in a terrifying storm by reading Lord Kames ('like philosophers not Christians').'
Century: 1700-1799 Reader/Listener/Group: Janet Schaw Print: Book
'I was re[a]ding lately, Stewart's "life of Robertson", Smith's "wealth of nations", and Kames' "Essays on the principles of morality". The first is a sensible sort of book - unworthy, however, of Stewart. Dr Smith is a man of much research, & appears to understand completely all the bearings of his complicated subject. I have read his first and second volumes with much pleasure. He always writes like a philosopher. With regard to Lord Kames - his works are generally all an awkward compound of ingenuity and absurdity and in this volume the latter quality it appears to me, considerably preponderates. It is Metaphysical; upon Belief, identity, Necessity &c &c and I devoutly wish that no friend of mine may ever come to study it - unless he wish to learn -
To weave fine cobwebs fit for scull
That's empty when the moon is full.
- and in that case he cannot study under a more proper master.'
Century: 1800-1849 Reader/Listener/Group: Thomas Carlyle Print: Book
'[editor's words] without literary pretensions, Mrs Marshall had a genuine love of reading, and when no other engagement intervened, it was one of her domestic regulations, that a book should be read aloud in the evening for general amusement; the office of reader commonly devolved on Miss Hamilton, who was thus led to remark that the best prose style was always that which could be longest read without exhausting the breath. These social studies were far from satisfying her avidity for information; and she constantly perused many books by stealth. Mrs Marshall, on discovering what had been her private occupation, expressed neither praise nor blame, but quietly advised her to avoid any display of superior knowledge by which she might be subjected to the imputation of pedantry. This admonition produced the desired effect, since, as she herself informs us, she once hid a volume of Lord Kames's Elements of Criticism under the cushion of a chair lest she should be detected in a study which prejudice and ignorance might pronounce unfeminine'.
Century: 1700-1799 Reader/Listener/Group: Elizabeth Hamilton Print: Book
'Sir, this book ("The Elements of Criticism", which he had taken up,) is a pretty essay, and deserves to be held in some estimation, though much of it is chimerical'.
Century: 1850-1899 Reader/Listener/Group: Samuel Johnson Print: Book
'When I talked of our [the Scots'] advancement in literature, "Sir, (said he,) you have learnt a little from us, and you think yourselves very great men. Hume would never have written History, had not Voltaire written it before him. He is an echo of Voltaire." Boswell "But, Sir, we have Lord Kames." Johnson. "You [italics] have [italics] Lord Кames. Keep him; ha, ha, ha! We don't envy you him. Do you ever see Dr. Robertson?" Boswell. "Yes, Sir." Johnson. "Does the dog talk of me ?" Boswell. "Indeed, Sir, he does, and loves you." Thinking that I now had him in a corner, and being solicitous for the literary fame of my country, I pressed him for his opinion on the merit of Dr. Robertson's "History of Scotland". But, to my surprise, he escaped.—" Sir, I love Robertson, and I won't talk of his book."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'Johnson proceeded :— "The Scotchman has taken the right method in his 'Elements of Criticism.' I do not mean that he has taught us any thing; but he has told us old things in a new way." Murphy. "He seems to have read a great deal of French criticism, and wants to make it his own; as if he had been for years anatomizing the heart of man, and peeping into every cranny of it." Goldsmith. "It is easier to write that book, than to read it." Johnson. "We have an example of true criticism in Burke's 'Essay on the Sublime and Beautiful'; and, if I recollect, there is also Du Bos; and Bouhours, who shews all beauty to depend on truth. There is no great merit in telling how many plays have ghosts in them, and how this Ghost is better than that. You must shew how terrour is impressed on the human heart.— In the description of night in Macbeth, the beetle and the bat detract from the general idea of darkness,—inspissated gloom".'
Century: 1700-1799 Reader/Listener/Group: Mr Murphy Print: Book
'Johnson proceeded :— "The Scotchman has taken the right method in his 'Elements of Criticism.' I do not mean that he has taught us any thing; but he has told us old things in a new way." Murphy. "He seems to have read a great deal of French criticism, and wants to make it his own; as if he had been for years anatomizing the heart of man, and peeping into every cranny of it." Goldsmith. "It is easier to write that book, than to read it." Johnson. "We have an example of true criticism in Burke's 'Essay on the Sublime and Beautiful'; and, if I recollect, there is also Du Bos; and Bouhours, who shews all beauty to depend on truth. There is no great merit in telling how many plays have ghosts in them, and how this Ghost is better than that. You must shew how terrour is impressed on the human heart.— In the description of night in Macbeth, the beetle and the bat detract from the general idea of darkness,—inspissated gloom".'
Century: 1700-1799 Reader/Listener/Group: Oliver Goldsmith Print: Book
'Johnson proceeded :— "The Scotchman has taken the right method in his 'Elements of Criticism.' I do not mean that he has taught us any thing; but he has told us old things in a new way." Murphy. "He seems to have read a great deal of French criticism, and wants to make it his own; as if he had been for years anatomizing the heart of man, and peeping into every cranny of it." Goldsmith. "It is easier to write that book, than to read it." Johnson. "We have an example of true criticism in Burke's 'Essay on the Sublime and Beautiful'; and, if I recollect, there is also Du Bos; and Bouhours, who shews all beauty to depend on truth. There is no great merit in telling how many plays have ghosts in them, and how this Ghost is better than that. You must shew how terrour is impressed on the human heart.— In the description of night in Macbeth, the beetle and the bat detract from the general idea of darkness,—inspissated gloom".'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'I looked into Lord Kaimes's "Sketches of the History of Man"; and mentioned to Dr. Johnson his censure of Charles the Fifth, for celebrating his funeral obsequies in his life-time'.
Century: 1700-1799 Reader/Listener/Group: James Boswell Print: Book
'He [Johnson] said, "I have been reading Lord Kames's 'Sketches of the History of Man'. In treating of severity of punishment, he mentions that of Madame Lapouchin, in Russia, but he does not give it fairly; for I have looked at 'Chappe de l'Auteroche', from whom he has taken it. He stops where it is said that the spectators thought her innocent, and leaves out what follows; that she nevertheless was guilty".'
Century: Reader/Listener/Group: Samuel Johnson Print: Book
'Looking at Messrs. Dilly's splendid edition of Lord Chesterfield's miscellaneous works, he laughed, and said, "Here now are two speeches ascribed to him, both of which were written by me: and the best of it is, they have found out that one is like Demosthenes, and the other like Cicero".
He censured Lord Kames's "Sketches of the History of Man" for misrepresenting Clarendon's account of the appearance of Sir George Villiers's ghost, as if Clarendon were weakly credulous; when the truth is, that Clarendon only says, that the story was upon a better foundation of credit, than usually such discourses are founded upon; nay, speaks thus of the person who was reported to have seen the vision, "the poor man, if he had been at all waking"; which Lord Kames has omitted.'
Century: Reader/Listener/Group: Samuel Johnson Print: Book
'[letter to Hector MacNeil - H.M.] Do I not well remember hiding "Kaims's Elements of Criticism", under the cover of an easy chair, whenever I heard the approach of a footstep, well knowing the ridicule to which I should have been exposed, had I been detected in the act of looking into such a book?'
Century: 1800-1849 Reader/Listener/Group: Elizabeth Hamilton Print: Book
'Lord Kaimes again tells us a wild Story of Savages who eat all their own children & have done so for six Hundred Years backward - he then begins gravely to argue about parental Affection, never reflecting that if the children were eaten the Race could not be continued'.
Century: Reader/Listener/Group: Hester Lynch Thrale Print: Book
