To Miss Hunt Shirley, July 28, 1795
'I have just finished Clarendon's "History of the rebellion", which Miss Bowdler long ago desired me to read. It is extremely interesting and instructive.'
Century: 1700-1799 Reader/Listener/Group: Elizabeth Smith Print: Book
[Mary Shelley's Reading List for 1816. The diary from May 1815-July 1816 is lost, so this list is our only record for Mary's reading in early 1816. Later in the year texts are referred to in diary entries so as far as possible these works are not given separate database references based on this list. An x marks the fact that Percy Shelley read the book too.]
x Moritz' tour in England
Tales of the Minstrels
x Park's Journal of a Journey in Africa
Peregrine Proteus
x Siege of Corinth & Parasina.
4 vols. of Clarendon's History
x Modern Philosophers
opinions of Various writers on the punishment of death by B. Montagu
Erskines speeches
x Caleb Williams
x 3rd Canto of Childe Harold
Schiller's arminian
Lady Craven's Leters
Caliste
Nouvelle nouvelles
Romans de Voltaire
Reveries d'un Solitaire de Rousseau
Adele et Theodore
x Lettres Persannes de Montesquieu
Tableau de Famille
Le vieux de la Montagne
x Conjuration de Rienzi
Walther par La Fontaine
Les voeux temeraires
Herman d'Una
Nouveaux nouvelles de Mad. de Genlis
x Christabel
Caroline de Litchfield
x Bertram
x Le Criminel se[c]ret
Vancenza by Mrs Robinson
Antiquary
x Edinburgh Review num. LII
Chrononhotonthologus
x Fazio
Love and Madness
Memoirs of Princess of Bareith
x Letters of Emile
The latter part of Clarissa Harlowe
Clarendons History of the Civil War
x Life of Holcroft
x Glenarvon
Patronage
The Milesian Chief.
O'Donnel
x Don Quixote
x Vita Alexandri - Quintii Curtii
Conspiration de Rienzi
Introduction to Davy's Chemistry
Les Incas de Marmontel
Bryan Perdue
Sir C. Grandison
x Castle Rackrent
x Gulliver's Travels
x Paradise Lost
x Pamela
x 3 vol of Gibbon
1 book of Locke's Essay
Some of Horace's odes
x Edinburgh Review L.III
Rights of Women
De senectute by Cicero
2 vols of Lord Chesterfield's leters to his son
x Story of Rimini'
'Pastor Fido
Orlando Furioso
Livy's History
Seneca's Works
Tasso's Girusalame Liberata
Tassos Aminta
2 vols of Plutarch in Italian
Some of the plays of Euripedes
Seneca's Tragedies
Reveries of Rousseau
Hesiod
Novum Organum
Alfieri's Tragedies
Theocritus
Ossian
Herodotus
Thucydides
Homer
Locke on the Human Understanding
Conspiration de Rienzi
History of arianism
Ochley's History of the Saracens
Mad. de Stael sur la literature'.
Century: 1800-1849 Reader/Listener/Group: Mary Godwin Print: Book
'Read Clarendon all day - Shelley writes to Albe [Byron] and other things - he finishes Lacratelle's history of the French Revolution - we walk out for a short time after dinner S. reads Lucian'.
Century: 1800-1849 Reader/Listener/Group: Mary Godwin Print: Book
'Read Clarendon - finish the life of Holcroft - read Glenarvon in the evening'
Century: 1800-1849 Reader/Listener/Group: Mary Godwin Print: Book
'Read Clarendon and Curtius - walk with Shelley - S. read Tasso'.
Century: 1800-1849 Reader/Listener/Group: Mary Godwin Print: Book
'read Life of Clarendon'
Century: 1800-1849 Reader/Listener/Group: Mary Shelley Print: Book
'Arrive at Florence - Read Massinger - S. begins Clarendon - reads Massinger - & Plato's Republic'
Century: 1800-1849 Reader/Listener/Group: Percy Bysshe Shelley Print: Book
'S. finishes the 1st vol of Clarendon - Read the little Theif [sic]'
Century: 1800-1849 Reader/Listener/Group: Percy Bysshe Shelley Print: Book
'S reads Clarendon aloud'
Century: 1800-1849 Reader/Listener/Group: Percy Bysshe Shelley Print: Book
'Muratori - Greek - Rebellion of Ireland'
Century: 1800-1849 Reader/Listener/Group: Mary Shelley Print: Book
'Muratori - greek - finish the Rebellion of Ireland'
Century: 1800-1849 Reader/Listener/Group: Mary Shelley Print: Book
'JOHNSON. "Sir William Temple was the first writer who gave cadence to English prose. Before his time they were careless of arrangement, and did not mind whether a sentence ended with an important word or an insignificant word, or with what part of speech it was concluded". Mr. Langton, who now had joined us, commended Clarendon. JOHNSON. "He is objected to for his parentheses, his involved clauses, and his want of harmony. But he is supported by his matter. It is, indeed, owing to a plethory of matter that his style is so faulty. Every [italics] substance [end italics], (smiling to Mr. Harris,) has so many [italics] accidents [end italics].--To be distinct, we must talk analytically. If we analyse language, we must speak of it grammatically; if we analyse argument, we must speak of it logically". GARRICK. "Of all the translations that ever were attempted, I think Elphinston's 'Martial' the most extraordinary. He consulted me upon it, who am a little of an epigrammatist myself, you know. I told him freely, 'You don't seem to have that turn.' I asked him if he was serious; and finding he was, I advised him against publishing. Why, his translation is more difficult to understand than the original. I thought him a man of some talents; but he seems crazy in this".'
Century: 1700-1799 Reader/Listener/Group: Bennet Langton Print: Book
'JOHNSON. "Sir William Temple was the first writer who gave cadence to English prose. Before his time they were careless of arrangement, and did not mind whether a sentence ended with an important word or an insignificant word, or with what part of speech it was concluded". Mr. Langton, who now had joined us, commended Clarendon. JOHNSON. "He is objected to for his parentheses, his involved clauses, and his want of harmony. But he is supported by his matter. It is, indeed, owing to a plethory of matter that his style is so faulty. Every [italics] substance [end italics], (smiling to Mr. Harris,) has so many [italics] accidents [end italics].--To be distinct, we must talk analytically. If we analyse language, we must speak of it grammatically; if we analyse argument, we must speak of it logically". GARRICK. "Of all the translations that ever were attempted, I think Elphinston's 'Martial' the most extraordinary. He consulted me upon it, who am a little of an epigrammatist myself, you know. I told him freely, 'You don't seem to have that turn.' I asked him if he was serious; and finding he was, I advised him against publishing. Why, his translation is more difficult to understand than the original. I thought him a man of some talents; but he seems crazy in this".'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'Looking at Messrs. Dilly's splendid edition of Lord Chesterfield's miscellaneous works, he laughed, and said, "Here now are two speeches ascribed to him, both of which were written by me: and the best of it is, they have found out that one is like Demosthenes, and the other like Cicero".
He censured Lord Kames's "Sketches of the History of Man" for misrepresenting Clarendon's account of the appearance of Sir George Villiers's ghost, as if Clarendon were weakly credulous; when the truth is, that Clarendon only says, that the story was upon a better foundation of credit, than usually such discourses are founded upon; nay, speaks thus of the person who was reported to have seen the vision, "the poor man, if he had been at all waking"; which Lord Kames has omitted.'
Century: Reader/Listener/Group: Samuel Johnson Print: Book
'For Sublimity & at the same time Familiarity with Life Nothing strikes one more than Clarendon's Account of the Fire of London - De Foe's Plague is still stronger but that is a Romance'.
Century: 1700-1799 Reader/Listener/Group: Hester Lynch Thrale Print: Book