David Rowland is Professor of Music and Director of Taught Postgraduate Studies at the Open University. He was Dean and Director of Studies for the Faculty of Arts from 2007-14. Before joining the Open University in 1989 he lectured at Glasgow University in 1981-2 and he has been Director of Music at Christ’s College, Cambridge since 1984.
He is currently engaged in research into music and commerce in the late eighteenth and early nineteenth centuries with a particular focus on the business career of Muzio Clementi (1752-1832). Publications in this area include the first scholarly edition of Clementi’s correspondence, chapters on the instrument-making and publishing aspects of Clementi’s firm and a history of Dussek’s commercial activities in London.
In addition to his Clementi research, David has published extensively on the history and performance practice of early keyboard instruments. His first book, A History of Pianoforte Pedalling, was published by Cambridge University Press in 1993 and the same publishers subsequently commissioned his Cambridge Companion to the Piano and Early Keyboard Instruments: A Practical Guide. He has also published a number of articles on performance practice issues relating to Chopin’s piano music and is currently editing Chopin’s rondos for the new Peters edition. He has also published chapters and articles on the performance history of the piano concerto, including a major chapter in The Cambridge Companion to the Concerto.
David is Principal Investigator in a £0.75m collaborative AHRC-funded project with the Royal College of Music entitled the Listening Experience Database. The project is designed to investigate private individuals’ responses to their experience of listening to music of any style or historical period.
As well as his scholarly activities David performs widely on the harpsichord, organ and early piano. Having been Organ Scholar at Corpus Christ College, Cambridge from 1975 to 1978 and assistant to the Organ Scholar at King’s College, Cambridge in 1977 and 1978, he won the prestigious St Alban’s International Organ Competition in 1981 and was a major prizewinner at the Dublin International Organ Competition in the following year. He now records, broadcasts and performs regularly in London’s South Bank concert halls and in many other venues nationwide. He has conducted the choir of Christ’s College, Cambridge for the last twenty-eight years and from 2002-4 he was the conductor of the Welsh National Youth Choir.
Early Keyboard Instruments: A Practical Guide, Cambridge University Press (2001), xi +154 pp., ISBN 0 521 64366 X (hardback); 0 521 64385 6 (p/bk)
A History of Pianoforte Pedalling, Cambridge University Press (1993), xi + 194 pp., ISBN 0-521-40255-2
The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni (2010).
The Cambridge Companion to the Piano, Cambridge University Press (1998), xiv + 244 pp., ISBN 0 521 47470 1 (hardback); 0 521 47986 X (paperback). Chinese translation, 2003
(2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.
(2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.
(2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.
(2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed.Giovanni Battista Viotti: A composer between the two revolutions.Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.
(2005). Performance practices in the nineteenth-century concerto.In: Keefe, Simon ed. The Cambridge companion to the concerto.Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.
(2005). The Performance of Chopin's works for piano and orchestra.In: Szklener, Artur ed. Chopin in performance: History, theory, practice.Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.
(2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002.Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.
(2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.
(1994). ‘Chopin’s tempo rubato in context’ in Samson, Jim and Rink, John eds. Chopin Studies 2, Cambridge University Press , pp. 199-213; translated into Spanish in Quodlibet, February 1997, pp. 5-20.
(1994). ‘Beethoven, pianoforte pedalling’ in Stowell, R. ed. Performing Beethoven, Cambridge University Press, pp. 49-69.
(1992). ‘The nocturne: development of a new style’ in Samson, Jim ed. The Cambridge Companion to Chopin, Cambridge University Press, pp. 32-49.
‘La Clementi & Co. e l’incendio del 1807’ [‘Clementi & Co. and the fire of 1807’; trans. Massimiliano Sala], Hortus Musicus 3/11 (2002), pp. 61-63.
‘Chopin and the extension of the piano’s compass’, Ostinato Rigore: Revue internationale d’etudes musicales 15 (2000), pp. 187-196.
‘Piano music and keyboard compass in the 1790s’, Early Music 27/2 (1999), pp. 283-93.
With Richard Maunder, ‘Mozart’s Pedal Piano’, Early Music 23/2 (1995), pp. 287-96.
‘Early pianoforte pedalling’, Early Music 13/1 (1985), pp. 5-27.
‘The interaction between the piano businesses in England and France’, International Symposium, ‘Existe-il une école française du piano (1780-1820)?’, Limoges, 27-29 April 2007
‘Chopin’s early piano style: Compass,notation and texture, VI International conference of the Narodowy Instytut Fryderyka Chopina, Warsaw, 30 November – 2 December 2006
‘John Field: a reputation for style’, Inaugural event of the John Field Institute, NUI Maynooth, 18 November 2006
‘Clementi & Co. in international markets’, International conference ‘Instrumental Music and the Industrial Revolution’, Cremona, 1-3 July, 2006
‘Chopin and early nineteenth century piano schools, V International conference of the Narodowy Instytut Fryderyka Chopina, Warsaw, 1-3 December 2005
‘The performance of Chopin’s works for piano and orchestra’, IV International conference of the Narodowy Instytut Fryderyka Chopina, Warsaw, 2-4 December 2004
‘Samuel Wesley’s harpsichord and piano music in context’, One-day Conference, ‘The Life and Music of Samuel and Samuel Sebastian Wesley’, Nottingham University, 15 December, 2003
‘Clementi and his company’, Royal Musical Association Study Day, ‘Longman, Broderip, Clementi & Co: Music Sellers and Instrument Makers’, Royal College of Music, 8 April, 2003
‘Clementi and the 1790s: New Documents’, Muzio Clementi, Cosmopolita della Musica, Convegno internazionale in occasione del 250° anniversario della nascita (1752-2002), Rome, 4-6 December, 2002
‘Chopin and the extension of the piano’s compass’ L’Oeuvre de Chopin, Colloque International, Université de Paris-Sorbonne, 1999
(in press) Rowland, David (2013). Chopin Rondos. Edition Peters, London.
Piano parts of Sonatas 1-6, 9 from Lefèvre’s Méthode de Clarinette[1802], Oxford University Press/Ricordi (1988)
Of a Rose: carol settings by Britten and Leighton, Director, Christ’s College Choir, (Regent Records, REGCD243, 2006).
Parry Songs of Farewell , Stanford Magnificat for Double Chorus and other works, Director, Christ’s College Choir, (Regent Records, REGCD204, 2004).
Howells and Britten choral music, Director, Christ’s College Choir, (Regent Records, REGCD169, 2002).
Antonio Vivaldi, early keyboard with Badinage (Meridian Records, 1998).
Jean Marie Leclair, early keyboard with Badinage (Meridian Records, 1997).
Funeral music and laments of the sixteenth to the eighteenth century, Director, Christ’s College Choir (Meridian Records, 1997).
Johann Joachim Quantz, early keyboard with Badinage (Meridian Records, 1997).
Georg Frederick Handel, early keyboard with Badinage (Meridian Records, 1996.)
Georg Phillip Telemann, early keyboard with Badinage (Meridian Records, 1996).
Joseph Bodin de Boismortier, early keyboard with Badinage (Meridian Records, 1995).
Michel Corrette, early keyboard with Badinage (Meridian Records, 1994).
François Devienne, early keyboard with Badinage (Meridian Records, 1993).
November 1992: Mozart Fantasia K475, Concerto K467. First modern performances with pedal fortepiano. Reviewed in The Times, 22 November 1992
British Listeners c1780-1830 (2020-12)
Rowland, David
Nineteenth-Century Music Review, 17(3) (pp. 359-379)
Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing (2016-08)
Rowland, David
Early Music, 44(3) (pp. 461-471)
Nineteenth-century pianists and Baroque music (2014-10)
Rowland, David
Musurgia. Analyse et pratique musicales, 21(1-2) (pp. 79-90)
Performing simultaneous triplets and dotted rhythms in Schubert's piano music (2024)
Rowland, David
In: Gardiner, Matthew and Martin, Christine eds. Schubert's Piano (pp. 116-135)
ISBN : 9781009022767 | Publisher : Cambridge University Press (In Press) | Published : Cambridge
Further Light on Clementi's 1807 Contract with Beethoven (2022)
Rowland, David
In: Miller, Malcolm and Kinderman, William eds. Beethoven the European: Transcultural Contexts of Performance, Interpretation and Reception. Speculum Musicae (48) (pp. 203-216)
ISBN : 978-2-503-60290-5 | Publisher : Brepols | Published : Turnhout
Composers, publishers and the market in late Georgian Britain (2020-06-03)
Rowland, David
In: Sala, Massimiliano ed. Music publishing and composers (1750-1850). Speculum Musicae (37) (pp. 85-112)
ISBN : 978-2-503-58815-5 | Publisher : Brepols | Published : Turnhout
Music Publishing in Britain ca. 1840-1900 (2019-10-15)
Rowland, David
In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2)
ISBN : 978-2-503-58571-0 | Publisher : Brepols | Published : Turnhout
The listening experiences of John Yeoman (1748 – 1824) (2019)
Rowland, David
In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories
Publisher : The Open University | Published : Milton Keynes
Clementi's Introduction in European musical life, 1801-1830 (2018-06-14)
Rowland, David
In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style (pp. 69-83)
ISBN : 9781315206936 | Publisher : Routledge | Published : Abingdon
Composers and publishers in Clementi's London (2018-03-28)
Rowland, David
In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain (pp. 32-52)
ISBN : 9781138291867 | Publisher : Routledge | Published : London and New York
London's Art Music and provincial listeners in England c.1700-1850 (2017-07-25)
Rowland, David
In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences
ISBN : 9781473023208 | Publisher : The Open University | Published : Milton Keynes
Introduction (2017-07-25)
Rowland, David
In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences
ISBN : 9781473023208 | Publisher : The Open University | Published : Milton Keynes
European music publishing during the Napoleonic wars (2016-11-09)
Rowland, David
In: Jardin, Étienne ed. Music and War in Europe from the French Revolution to WWI. Music, criticism and politics (2) (pp. 223-232)
ISBN : 978-2-503-57032-7 | Publisher : Brepols | Published : Turnhaut
Pianists and the European music trade c. 1790-1820 (2015)
Rowland, David
In: Sala, Massimiliano ed. Piano culture in 19th-century Paris (pp. 17-26)
ISBN : 978-2-503-55326-9 | Publisher : Brepols | Published : Turnhout
Haydn's music and Clementi's publishing circle (2013-10-17)
Rowland, David
In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain (pp. 92-111)
ISBN : 9780712358484 | Publisher : British Library Publishing | Published : London
Dussek in London's commercial world (2012-10)
Rowland, David
In: Stewart-MacDonald, Rohan and Illiano, Roberto eds. Jan Ladislav Dussek: A Bohemian Composer «en voyage» through Europe. Quaderni Clementiani (4) (pp. 87-111)
ISBN : 978-88-8109-478-3 | Publisher : Ut Orpheus Edizioni | Published : Bologna
Clementi as publisher (2011-08)
Rowland, David
In: Kassler, Michael ed. The Music Trade in Georgian England (pp. 159-191)
ISBN : 978-0-7546-6065-1 | Publisher : Ashgate | Published : Farnham, Surrey and Burlington, VT
Clementi's music business (2011)
Rowland, David
In: Kassler, Michael ed. The Music Trade in Georgian England (pp. 125-157)
ISBN : 9780754660651 | Publisher : Ashgate | Published : Farnham, Surrey and Burlington, VT
Clementi & Co. in international markets (2010)
Rowland, David
In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5) (pp. 525-542)
ISBN : 978-88-8109-468-4 | Publisher : Ut Orpheus Edizioni | Published : Bologna
Chopin and early nineteenth century piano schools (2010)
Rowland, David
In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts (pp. 83-96)
ISBN : 978-83-917410-7-8 | Publisher : Narodowy Instytut Fryderyka Chopina | Published : Warsaw
Piano businesses in England and France (2009-11-26)
Rowland, David
In: Getreau, Florence ed. Le pianoforte en France 1780-1820. Musique Images Instruments (11) (pp. 127-135)
ISBN : 978-2-271-06896-5 | Publisher : CNRS Editions | Published : Paris
Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music (2006)
Rowland, David
In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions (pp. 377-394)
ISBN : 88-8109-457-6 | Publisher : Ut Orpheus Edizioni | Published : Bologna, Italy
Performance practices in the nineteenth-century concerto (2005-10-27)
Rowland, David
In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series (pp. 227-246)
ISBN : 052183483X | Publisher : Cambridge University Press | Published : Cambridge, UK
The Performance of Chopin's works for piano and orchestra (2005)
Rowland, David
In: Szklener, Artur ed. Chopin in performance: History, theory, practice (pp. 169-183)
ISBN : 8391741060 | Publisher : Narodowy Instytut Fryderyka Chopina | Published : Warsaw, Poland
Clementi's early business career: new documents (2004)
Rowland, David
In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002 (pp. 49-59)
ISBN : 8881094509 | Publisher : Ut Orpheus Edizioni | Published : Bologna, Italy
Clementi and the British concerto tradition (2002)
Rowland, David
In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61) (pp. 179-190)
ISBN : 8881094487 | Publisher : Ut Orpheus Edizioni | Published : Bologna, Italy
Clementi Correspondence and Other Documents (2024)
Rowland, David ed.
Muzio Clementi Opera Omnia
ISBN : 978-88-8109-542-1 | Publisher : Ut Orpheus Edizioni | Published : Bologna
Listening to music: people, practices and experiences (2017-07-31)
Barlow, Helen and Rowland, David eds.
ISBN : 9781473023208 | Publisher : The Open University
The Correspondence of Muzio Clementi (2010)
Rowland, David ed.
Muzio Clementi Opera Omnia. Critical Edition
ISBN : 978-88-8109-469-1 | Publisher : Ut Orpheus Edizioni | Published : Bologna
The development of piano technique in England c. 1790-1810 (2017-11)
Rowland, David
In : XL. Wissenschaftliche Arbeitstagung (8-10 Nov 2013, Kloster Michaelstein) (pp. 237-249)
Piano sonority and melody c.1800-1835 (2017)
Rowland, David
In : International Musicological Conference 2016 (16-18 Sep 2016, Radziejowice, Poland) (pp. 39-61)
Chopin Rondos (2013)
Chopin, Frederic
Edition Peters, London.